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Magazine

Prestige

By Magazine

Prestige 164 Magazine (China) – Clock Delay by Bloomming

Dutch Design Featured in Chinese Lifestyle Magazine

Published in Prestige 164, August 2009

Chinese lifestyle magazine Prestige 164 featured Clock Delay, the experimental clock designed by Bas van Leeuwen for Dutch design studio Bloomming, in its “What’s Up” design section.

The publication highlighted Clock Delay as an unusual interpretation of timekeeping that transforms the familiar clock into a kinetic mechanical sculpture.

Clock Delay

Unlike conventional clocks that display time through hands on a flat dial, Clock Delay reveals the underlying mechanics of time itself.

The design consists of three rotating gears representing seconds, minutes, and hours. Rather than hiding the mechanism behind a clock face, the movement becomes the central visual element. Time is read at the point where the three rotating wheels align.

Constructed from stainless steel and aluminium, Clock Delay combines engineering, movement and visual poetry into a single object.

Featured in the “What’s Up” Design Section

Prestige 164 presented Clock Delay alongside a selection of international design innovations and lifestyle discoveries from around the world.

The magazine described the clock as a contemporary object that challenges conventional expectations of how a clock should look and function. By exposing its internal workings, Clock Delay invites users to slow down and engage with the passage of time in a more thoughtful way.

Design Philosophy

Clock Delay was created from the observation that modern products increasingly hide their workings behind smooth surfaces and digital interfaces.

By making the mechanism visible and essential to the reading of time, the design celebrates craftsmanship, engineering and curiosity. The clock encourages viewers to look beyond pure functionality and appreciate the beauty of mechanical movement.

Rather than offering an instant reading, Clock Delay asks for a moment of attention. The process of discovering the time becomes part of the experience.

Product Information

Product: Clock Delay
Designer: Bas van Leeuwen
Studio: Bloomming
Materials: Stainless steel and aluminium
Dimensions: Approximately 35 × 35 × 48 cm
Type: Mechanical-inspired kinetic clock

International Recognition

The appearance in Prestige 164 contributed to the growing international recognition of Clock Delay. During this period the design was featured in publications across Europe, North America and Asia, attracting attention for its unconventional approach to one of the most familiar household objects.

Clock Delay became one of the early projects that helped establish Bloomming’s reputation for creating products that combine conceptual thinking with playful interaction and strong visual identity.

Publication Details

Publication: Prestige 164
Country: China
Issue: August 2009
Section: What’s Up / Design
Featured Product: Clock Delay
Designer: Bas van Leeuwen
Studio: Bloomming


Image caption from the original publication

“Clock Delay by Bloomming reimagines the traditional clock as a visible mechanical construction. Three rotating gears representing hours, minutes and seconds intersect to reveal the time, turning a functional object into a kinetic sculpture.”

Frits

By Magazine

Frits Magazine

Topdesigners van de Toekomst

Published in 2008, Dutch lifestyle and culture magazine Frits dedicated a feature to the emerging generation of designers shaping the future of Eindhoven’s creative scene. The article, titled “Topdesigners van de Toekomst” (“Top Designers of the Future”), highlighted a selection of promising young talents connected to the Design Academy Eindhoven and the city’s rapidly growing design culture.

Eindhoven as a Breeding Ground for Design

The article opens by observing that whenever the Dutch Design Week takes place in Eindhoven, one thing becomes immediately clear: the city is overflowing with talent. Journalist Monique van Empel notes that Eindhoven is home to an unusually large number of design partnerships and creative collaborations, many formed during studies at the Design Academy Eindhoven (DAE).

The feature presents several designers and studios considered part of the next generation of Dutch design, including BCXSY, Studio JSPR, JOINE Office for Design, and Bloomming.

Bloomming

Among the selected studios was Bloomming, founded by Bas van Leeuwen and Mireille Meijs.

The article explains that their collaboration began during their time at the Design Academy Eindhoven:

“Opeens was het ‘blooming’ tussen ons en sindsdien wonen en werken we samen.”

Translated:

“Suddenly it was ‘blooming’ between us, and ever since we have been living and working together.”

The feature emphasises the complementary nature of their partnership. According to Bas:

“Mireille is conceptueel erg sterk, ik ben juist technisch goed.”

Translated:

“Mireille is very strong conceptually, while I excel in the technical side.”

Growing Recognition

At the time of publication, Bloomming had already gained attention at numerous design events and exhibitions. The article notes that their work had recently been presented in cities including:

  • Eindhoven
  • Brussels
  • Utrecht
  • Amsterdam
  • Rotterdam
  • Hong Kong

This growing international exposure reflected the increasing interest in their experimental approach to interiors and product design.

Lightfacet

The article features a large image of Lightfacet, Bloomming’s modular room divider system.

The accompanying caption states:

“Roomdivider Light Facet maakt het mogelijk om te spelen met licht en schaduw.”

Translated:

“Room divider Light Facet makes it possible to play with light and shadow.”

Lightfacet is presented as an example of the studio’s ability to combine functional interior solutions with an architectural and sculptural aesthetic. Through its rotating diamond-shaped modules, the divider allows users to adjust transparency and create changing patterns of light throughout a space.

About Eindhoven

When asked about Eindhoven, Bloomming highlighted the city’s creative energy:

“Eindhoven ontwikkelt zich op diverse vlakken, niet alleen op designgebied maar ook op het gebied van architectuur, exposities, muziek en dergelijke. Er zit veel creativiteit in Eindhoven en dat lijkt steeds meer naar buiten te komen.”

Translated:

“Eindhoven is developing on many levels, not only in design but also in architecture, exhibitions, music and more. There is a great deal of creativity in Eindhoven, and that that seems to be becoming increasingly visible to the outside world.”

This statement reflected the optimism surrounding Eindhoven’s transformation into one of Europe’s most influential design cities.

Publication details

Publication: Frits Magazine
Country: Netherlands
Year: 2008
Feature: Topdesigners van de Toekomst
Author: Monique van Empel
Pages: 110–113
Studio featured: Bloomming
Designers: Bas van Leeuwen & Mireille Meijs
Product featured: Lightfacet
Location: Eindhoven, The Netherlands

Why this feature mattered

Frits positioned Bloomming among a carefully selected group of emerging Dutch designers expected to shape the future of design in the Netherlands. Rather than focusing solely on individual products, the article highlighted the strength of the partnership between Bas van Leeuwen and Mireille Meijs and recognised Bloomming as part of a broader movement that was helping establish Eindhoven as an international design capital.

The inclusion of Lightfacet demonstrated how the studio’s work combined innovation, functionality and visual experimentation—qualities that would later become defining characteristics of the Bloomming collection.

Bloomming-RAF-1

RAF

By Magazine

Raf Ürün Dergisi – January 2012, Issue 36

Raf Ürün Dergisi (Raf Product Magazine) is a Turkish design and product magazine published by Arkitera Press, one of Turkey’s leading architecture and design media organisations. Arkitera is widely known in the Turkish professional design community through its online platform and print publications, serving architects, interior designers, product designers and construction industry professionals across Turkey. Raf focuses specifically on interior products, materials and design solutions, making it a specification-oriented resource for the Turkish architecture and interior design market. Issue 36 was published in January 2012 and is distributed free of charge to professionals within the sector.

3form Facet – Curtain and Divider Panel Applications

Page 50 of the issue features a full-page advertorial for 3form presenting Facet under the heading “3form Facet – Curtain and Divider Panel Applications”. The feature is presented in the kibrD section of the magazine, which covers product and material introductions for design professionals. The page is supported by four installation photographs showing Facet deployed across a range of interior environments, including a spa or wellness setting, a lounge with exposed brick walls, a restaurant interior and a close-up detail view of the individual faceted modules.

The editorial text describes Facet as a fully modular system with unlimited alternatives for curtain and space-dividing applications. It explains that the system was designed to create interactive patterns, with each of its three-dimensional elements capable of rotating 360 degrees to generate compositions of light and shadow. The product is characterised as fully recyclable, highly durable and manufactured from high-quality sustainable materials.

Technical Specifications Presented

The feature presents Facet’s technical properties in structured detail for the benefit of specifying professionals:

The system consists of five components and is described as smart, light, simple and easy to install. It offers unlimited configuration options and is interactive, sustainable, UV-resistant and antistatic. Modular grid units can be extended vertically and horizontally to achieve any desired width and height. Height can be extended in 195 mm increments up to 2,865 mm. Width can be extended without limit in 340 mm increments. The standard colour is white (RAL 9003), with custom colours available on request. Weight is 4.5 kg per square metre. The material carries a UL94 V-0 fire-retardant rating and is manufactured from PC/ABS. On sustainability, the feature notes that the polycarbonate, nylon and aluminium components can be separated and individually recycled, and that each part can be removed from the system and recycled independently. The polycarbonate used can be fully reprocessed for new product manufacturing.

Publication Context

The appearance of Facet in Raf Ürün Dergisi reflects the product’s growing reach into the Turkish architecture and interior design market through 3form’s distribution and specification network. Turkey’s active construction and hospitality sectors made it a significant market for architectural interior products, and Arkitera’s professional readership — architects, interior designers and product specifiers — represented the precise audience for a product of Facet’s type and scale. The January 2012 issue coincided with a period of strong activity in the Turkish construction market, making professional product publications of this kind an important channel for reaching decision-makers at the specification stage of projects.

Publication Details

Publication: Raf Ürün Dergisi (Raf Product Magazine)
Publisher: Arkitera Press
Issue: 36
Date: January 2012
Page: 50
Section: kibrD
Feature title: 3form Facet – Perde ve Bölücü Panel Uygulamaları
Product featured: Facet room divider / curtain panel system
Designers: Bas van Leeuwen & Mireille Meijs
Company: Bloomming
Manufacturer: 3form
Category: Turkish architecture and interior design product magazine

Why this feature mattered

Raf Ürün Dergisi’s professional readership and its focus on product specification made it a valuable platform for introducing Facet to the Turkish design market. Arkitera’s strong position within the Turkish architecture community meant that a feature in Raf carried genuine credibility with the architects and interior designers most likely to specify a product like Facet for commercial, hospitality or residential projects. The detailed technical specification content — dimensions, weights, fire ratings, sustainability credentials and colour options — presented the product in exactly the format needed by professionals at the point of specification, reinforcing Facet’s suitability for demanding professional and commercial applications in the Turkish market.

Bloomming-Dlux-1

D Lux

By Magazine

D*LUX Magazine – Lightfacet by Bloomming

D*LUX Magazine is an international publication focused on the intersection of light and architecture. Titled “Luce per l’Architettura Globale” (Light for Global Architecture), the magazine explores innovative lighting design, artistic installations, and the functional application of light in modern spaces. Distributed globally, it serves as a high-end reference for architects, interior designers, and light artists, showcasing products and projects that redefine how light interacts with the built environment.

Lightfacet by Bloomming in D*LUX 7

Within issue number 7 of D*LUX Magazine, the Lightfacet system by Bloomming is featured in a dedicated product profile on page 65. The article highlights Lightfacet as an “interesting modular system” available in customisable dimensions for both indoor and outdoor use.

The feature emphasises the technical and aesthetic versatility of the product. Constructed from injection-moulded PO/ABS “diamond shapes,” Lightfacet allows for a dynamic play of lights and shadows by exploiting the properties of light refraction. The publication details the product’s sustainability—being eco-friendly and recyclable—and its practical application via a ceiling rail system. The visual presentation includes a close-up of the white (RAL 9003) modular surface and a lifestyle shot featuring Lightfacet as a free-hanging room divider in a contemporary seating area, illustrating its role as a functional architectural “partition.”

“Light Art in Italy” Feature

The same page also highlights the publication Light Art in Italy, a book and CD-ROM project by Gisella Gellini and Francesco Murano. This editorial project aims to “immortalise many works of light art” created for special events that are often dismantled shortly after their exhibition. By featuring this alongside Lightfacet, the magazine draws a clear connection between industrial design products and the broader cultural movement of light art, citing renowned artists like Christian Boltanski, Bruce Nauman, and Gaetano Pesce.

The Role of D*LUX Magazine

DLUX occupies a niche as a bridge between technical architectural lighting and artistic expression. Because the magazine focuses on “Global Architecture,” inclusion in its pages provides international visibility within a specialised community of experts. Unlike consumer-facing décor magazines, D LUX targets professionals who specify products for large-scale architectural projects, galleries, and high-end residential interiors.

Publication Details

  • Publication: D*LUX Magazine (Issue 7)
  • Title: Luce per l’Architettura Globale
  • Page: 65
  • Product Featured: Lightfacet
  • Company: Bloomming
  • Associated Feature: “Light Art in Italy” by Maggioli Editore
  • Category: International Architecture and Lighting Design Magazine

Why this feature mattered

The inclusion in D*LUX Magazine validated Lightfacet not just as a piece of furniture, but as an architectural tool for light management. Specifically, the mention of its fire-resistant (UL94 V-0) and UV-resistant properties in a professional architectural journal positioned the product as a viable solution for public and commercial spaces. By sharing the page with a prestigious catalogue of 56 international light artists, Bloomming’s design was framed within the context of high-level lighting research and Italian design excellence, reinforcing its reputation for innovation and quality.